
The Pantheon - Maison Carree - Temple of Bacchus
On this page, Roman temple architecture is explained simply, in plain language, with many diagrams, photos and clear descriptions so that anyone can quickly learn the general terms used to describe and categorize the various kinds of both Roman and Greek temples, which share a very similar architecture. Roman architects were inspired greatly by beautiful Greek architecture, which they adopted and also expanded upon in many unique ways.
INTRODUCTION
Just as houses today are categorized by terms like "bungalow, split-level, detached, or townhouse," based on the number of floors and their attached/detached status, Roman temples are also categorized by certain distinctive architectural characteristics.
Some Roman temples are fancier, more elegant and slender than others. For example, some temples have only four columns in front, while others have six or more. Still, other temples also have columns on all sides, while others do not. And sometimes, those columns along the sides or rear of the temple are not all free-standing. Instead, many of those columns are actually part of the wall. Also, all Roman temples had a distinctive "look" based on the five styles of Classical architecture known as "orders," such as the Corinthian or Ionic Order. We use all those details about the columns and styles to categorize and understand a Roman temple.

Every temple the Romans built followed a system of rules. For example, the total height of a column is based on the Classical Order of Architecture chosen. And everything is measured and spaced out based on the width of a column shaft measured at the bottom, as shown in the image above. Another example is how the angle of the roof should not be more than 22 degrees (also shown above) - this applies to every "order of architecture." Those are just a few examples of the rules and system of building a Roman temple.
Those rules were set down by Vitruvius (Marcus Vitruvius Pollio), architect and civil engineer to Roman Emperor Augustus, over 2,000 years ago. The system is actually quite simple and logical, and once you understand it, you will look at a Roman temple with a new perspective and greater understanding.
HOW ROMAN TEMPLES ARE CATEGORIZED
At their most basic level, Roman temples are categorized by:
1 - Their Architectural Order (style); |
2 - The Number of columns in front; |
3 - The column arrangement pattern. |
which are explained below with images and diagrams.
1. THEIR ROMAN ARCHITECTURAL ORDER
Roman temples are classified primarily by their order, which can be described as a "style," but it is more an architectural system of precise design, layout, detailing and proportions specific to each order.
Three of the orders - Corinthian, Ionic, and Doric - were created by the ancient Greeks. The number of orders grew to five under the Romans with the addition of the Tuscan and Composite.
Almost all fifteen temples shown on this website's Temples Page are of the Corinthian Order - only a few are of the Ionic Order. None of the surviving Roman temples shown are of the Doric, Tuscan or Composite Orders.
In this section, I will give a brief explanation of the Corinthian and Ionic orders that the Romans preferred. I will also briefly explain the Tuscan order because it was frequently used by the Romans when building structures such as basilicas or columned walkways.
The Roman Orders Page of this website explains all five orders of architecture that the Romans used.
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![]() Roman temples built according to the Corinthian order are the most ornate and also have the tallest columns. Furthermore, the top of the column is crowned with an elaborate and leafy "Capital." And everything else above the column is also more detailed and elegant than the other orders. The Corinthian order was much favoured by the Romans, who used it extensively on the inside and outside of their structures because they liked splendour and luxury. |
![]() Roman temples of the Tuscan Order are more basic than the other two orders shown above. In fact, the plain Tuscan order, with virtually no decorative detailing, is the opposite of the elegant Corinthian order. Despite its plain and simple structure, the Tuscan Order is still definitely Classical and it is cheaper and faster to build. It also really does add a noble ambiance to any building or colonnade. For example, the bottom level of the Colosseum in Rome has Tuscan columns between its 80 arches. |
2. NUMBER OF COLUMNS IN FRONT
Temples are also categorized by the number of columns at the front of the temple, which is either four, six, eight, ten, or 12 columns.
The ancient Greek words for those numbers are:
A temple with FOUR front columns is a TETRASTYLE temple. |
A temple with SIX front columns is a HEXASTYLE temple.
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A temple with EIGHT front columns is an OCTASTYLE temple. |
A temple with TEN front columns is a DECASTYLE temple.
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A temple with TWELVE front columns is a DODECASTYLE temple.
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Below are images of a Tetrastyle, Hexastyle, and Octastyle Roman temple:
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Temple of Roma & Augustus, Romania
The smallest and narrowest kind of Roman temple |
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Maison Carree in Nimes, France
Medium-sized Roman temple that was very common. |

Temple of Mars Ultor, Rome
Many temples used this size also, but not as common as Hexastyle
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By far, most Roman temples were only 4, 6, or 8 columns wide. But they did build a few 10-column wide Decastyle temples, which were quite rare and very special.

A Decastyle example is the huge Roman temple of Jupiter Heliopolis in Baalbek, Lebanon. All that remains of this temple today are 6 columns, as seen in this image. This was the largest and tallest temple the Romans built. It had 54 30-metre high (100 ft) columns, and the top of the roof stood 44 metres (145 ft) high. As a result, people standing next to a column in the picture below appear very small. Another example of a Decastyle was the Temple of Venus and Roma in Rome, which faced the Colosseum.
DODECASTYLE : |
The Romans actually built an extremely rare Dodecastyle 12-column wide temple. This was certainly one of the largest temples the Romans ever built.

Located on the Quiranal Hill in Rome, it was most likely built by Emperor Hadrian and is known as Hadrian's Serapeum, or the Temple of Serapis.
It has also been called the Temple of the Sun, but latest research indicates that is incorrect. This temple was higher than the other two massive Roman temples in Rome - the Temple of Venus and Roma (decastyle), and the Temple of Jupiter Optimus Maximus (hexastyle).
To get an idea of how huge this temple is, look at this sketch (click to view). Part of this temple stood until about 1630 AD, when it was demolished. To see a diagram showing the whole floorplan architecture of this temple, please click this link.
3. COLUMN ARRANGEMENT PATTERN
The next important category is how the temple columns are arranged because not all Roman temples are the same. Most temples are rectangular, but some temples are circular. For this discussion, I will focus on rectangular temples only. Furthermore, while most rectangular Roman temples have columns on at least three sides - front, left, right - some temples only have columns in the front. And there are Roman temples with columns on all four sides, but that is rarer.
PERIPERTERAL VERSUS PSEUDOPERIPTERAL
When you look at a temple, notice whether or not all the columns are freestanding and not making physical contact with any wall.
If every column you see is freestanding and not touching any wall, then it is said that the temple is Peripteral, as shown in Figure 1 in the diagram below.
However, if even just a few of the columns are not freestanding and are making contact with a wall, then the temple is said to be Pseudoperipteral, as shown in Figure 2 in the diagram below.

Peripteral compared to Pseudoperipteral Column Arrangement
A perfect example of a Pseudoperipteral temple is the Maison Carrée - pronounced "May-Zoh Cah-Ray" - temple in Nimes, France, shown in the image below. The photo shows clearly how though this temple has free-standing columns in front, most of the columns along the side are partially embedded in the wall or "engaged" with the wall.

Maison Carrée - Pseudoperipteral temple
Corinthian Order, Hexastyle, Pseudoperipteral
And notice how the Maison Carrée columns all have very elegant and leafy Capitals at the top - this is thus a Hexastyle, Pseudoperipteral temple of the Corinthian Order. In other words, this is a temple six columns wide at the front, and not all the columns are freestanding because most are engaged with a wall - also, the order and style of the temple is Corinthian because of the ornamental capitals, the tall, slender columns and the very detailed marble entablature above the columns that supports the roof (called a pediment).
PERISTYLE OF COLUMNS EXPLAINED
The rear wall of the Maison Carrée also has six columns that are engaged with the wall, as shown in the image below. The point of this observation is that, though this temple has columns on all four sides, it does not have a true "peristyle" of columns because many of them are "engaged" with the walls.

Rear wall of Maison Carree Roman Temple in Nimes, France
Image courtesy of Damian Entwistle - Creative Commons
The photo below shows a Roman temple with a true Peristyle of free-standing columns along all four sides. Notice how there is space between each column and the walls. This is a perfect example of a Peripteral temple where none of the columns are partially embedded in the walls that form the Cella room that housed the statue of a Roman god. This is a very nice Roman temple in the Ionic style. Compare this temple's column layout to Figure 1 diagram shown earlier.

Temple with Peristyle of columns in Garni, Armenia
Ionic Order, Hexastyle, Peripteral
There are temples constructed with two peristyles - meaning two rows of freestanding columns on all four sides of the temple. This kind of double column construction is called "dipteral." Another famous temple with a peristyle is a temple in Garni, Romania, shown below, as well as the famous Parthenon temple in Athens, Greece.
PROSTYLE OF COLUMNS EXPLAINED
Another column arrangement commonly used was Prostyle, meaning there are columns in the front of the temple only (the Portico section), and these columns are nearly always freestanding.
Notice, in the floor plan diagram below, how this temple is neither a Peripteral nor a Pseudoperipteral temple. Rather, it has columns in the front only - there are no other columns along the sides or back, freestanding or engaged. This kind of temple column layout is a perfect example of a Prostyle column arrangement.

Prostyle Column Arrangement
ROMAN TEMPLES VERSUS GREEK TEMPLES
Roman and Greek temples differ in three major ways:
1. |
The Romans used all five Classical Orders of Architecture, the Greeks used just three. The chart below lists
the orders the Greeks and Romans used, ranked by most used:
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2. |
Romans and Greeks used very different foundations for their temples: The Romans built their temples on top of a high Podium with a staircase in front and two abutements projecting out from either side of the stairs. The Greeks built their temples on a low stylobate, also known as a Crepidoma, which is a foundation composed of three steps running along all 4 sides. |

Roman Podium versus Greek Stylobate temple base
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Romans and Greeks used different formulas for calculating how many columns a temple should have along its sides in relation to
the number of columns in front. See the diagram below this section. The Roman equation: Multiply the number of front columns by two and subtract one column. Thus, a Roman temple with six columns in front would have just eleven along the temple side, as shown in the photo of the Maison Carree further up this page. Count the columns in front and then along the sides, and you will see for yourself: 6 columns in front and 11 along the sides - this is the Roman system of columniation. The Greek equation: Multiply the number of front columns by two and add one extra column. For example, a Greek temple with six columns in front would have thirteen columns along the side. |

Roman versus Greek temple ratio of front and side columns
The Romans seemed less concerned about a temple's length than its height. By making their Roman temples two columns shorter along its length than a Greek temple, the savings in resources could be used to construct a higher foundation to create a more dramatic look for their temples. Obviously, the Romans believed that placing a temple on a high foundation with a big staircase in front was important.
An interesting fact is that the space between the two middle columns in front was always wider to allow people to pass more easily into the temple interior. The notion was that two Roman matrons (ladies) should be able to walk into a temple hand in hand without being impeded by the columns. Look at the image below of the Temple of Jupiter Heliopolis in Baalbek, Lebanon. You can see how the space between the 5th and 6th column is wider. Mind you, that temple was already so gigantic they really did not have to provide extra space between the middle columns in front.

The space between the front middle columns of a Roman temple was wider
Roman and Greek temples also differed in more subtle ways, such as in the entablature detailing, the height of columns specific to the Ionic, Doric and Corinthian Orders, and the styling of their Capitals and the roof, for example.
ROMAN TEMPLE ANATOMY CHART
In the diagram below, you can see all the major parts of a Roman temple labelled. This diagram is basic because there are actually many more parts and labels. To use an anology, your arm is divided into an upper arm, a lower arm , and a hand ... but if you look more closely, you can see that the hand is also subdivided into fingers, thumb, palm, fingernails, etc. This diagram covers the biggest and most important parts that make up a Roman temple. Learn these terms and you will find them very helpful in furthering your understanding of Roman temple architecture.

Roman Temple Anatomy Diagram
The terms used in the diagram above are explained in a very basic form below:
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A Column is composed of a Plinth & Torus at the bottom, a Shaft
in the middle, and a Capital at the top.
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The Entablature that spans across the tops of
the columns on all four sides is composed of an Architrave (three horizontal bands) on the bottom, a
Frieze in the middle,
and a Cornice at the top.
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The whole temple structure is divided
between the Portico (porch) in the front and the Cella room, composing the rear part
of the temple behind the Portico. The Cella housed the statue(s) of the Gods.
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The Pediment is the temple's roof and the Tympanum is the triangular and recessed space that is framed by the Entablature
on the bottom and by both angled sides of the roof. Thus a temple has two Tympanums, found at the front and the rear,
which typically housed statues or reliefs.
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Finally, the Podium, at the very bottom of the temple, is the elevated base or foundation. The podium you see in the
diagram is a very distinctive
aspect of Roman temple architecture in comparison to Greek temples, which had a very low foundation
(stylobate).
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And that concludes the "lessons" in Roman temple terminology. Below is a link to return to the Roman Temples page that lists fifteen Classical Roman Temples that still exist today.
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